Gorgeousness Gucci Orgy

  With bright colors, elegant silhouettes and a window on the body, sent his best show yet Frida Giannini for Gucci - Opening Summer 2013 Milan a good score.

 Wednesday show was an orgy of glory, principessas inspired by the elegance of the palace a height of Gucci. But retro clothing has never or vulgar.

Ms. Giannini had the words for it, "purism aristocratic", which means, minimalism, but with the line of the upper crust of Italy, Marella Agnelli, including the famous long-neck silhouette is add to the mood board in backstage at Charlotte Casiraghi of Monaco Sat row.

The first was held in saturated colors: bright red tunics and pants cardinal who was lean adjustment ease upscale. Eye-popping shades of turquoise, azure, coral and yellow umbrellas seemed to be related to the Renaissance, but belonging to a digital world.

Ms. Giannini was taking on the graphic simplicity tempered with ruffles - waving to gazar sleeves and give a quick look in the 1970s. This time was also jewelry: clusters of intense turquoise and coral in the neck, especially effective when the merger thin with a Japanese floral design, or against the clock in a pure white gown.

Ms. Giannini is not a designer to change the face of fashion, but it is safe to turn on the red carpet. - But only from behind large slender columns where the back was cut, showing a lot of flesh: strapless look to bland for the Gucci will derivations are scanned.

This has been studied for years Valentino perfection Alta Moda. Hair was smoothed fired into a bun at the nape and graceful thin heels soles.

Clutch were mixed translucent stone jewelry plexiglass. The view was only familiar with simplified python pattern on the tunics and trousers. But these prints were snake charmers.

Alberta Ferretti had a word in mind: liquidity. No, it was not a reference to the heavily indebted state of the Italian economy, but gravity flows, or, as the designer, "lack of seriousness" of his robes. They were mostly short cut close to the body, sometimes worn over slim trousers and sometimes extended to the ankle.

Embroidery appeared in the air iridescent surfaces, floating points the tip generated images of nature, such as plankton or leaves. The engravings were in fact attached to a base diaphanous.

Ms. Ferretti described his inserts create effects of tattoos on the body. But attractive all these descriptions could not hide the fact that the reality is more complex, not really set up and sensual, even if the dress was a lot of meat.

Models drowned hair and a backdrop of the sea, including what could be added waves to sound like the idea that they were to a depth Nereids. The craft was, of course, stunning. In its detail and a fine example of Italian craftsmanship But what this show Ferretti won highest delicacy, he lacked energy.